Monthly Archives: March 2010

There is no Spoon….

Do You Recognize These 10 Mental Blocks to Creative Thinking?

by Brian Clark

Whether you’re trying to solve a tough problem, start a business, get attention for that business or write an interesting article, creative thinking is crucial. The process boils down to changing your perspective and seeing things differently than you currently do.

People like to call this “thinking outside of the box,” which is the wrong way to look at it. Just like Neo needed to understand that “there is no spoon” in the film The Matrix, you need to realize “there is no box” to step outside of.

You create your own imaginary boxes simply by living life and accepting certain things as “real” when they are just as illusory as the beliefs of a paranoid delusional. The difference is, enough people agree that certain man-made concepts are “real,” so you’re viewed as “normal.” This is good for society overall, but it’s that sort of unquestioning consensus that inhibits your natural creative abilities.

So, rather than looking for ways to inspire creativity, you should just realize the truth. You’re already capable of creative thinking at all times, but you have to strip away the imaginary mental blocks (or boxes) that you’ve picked up along the way to wherever you are today.

I like to keep this list of 10 common ways we suppress our natural creative abilities nearby when I get stuck. It helps me realize that the barriers to a good idea are truly all in my head.

1. Trying to Find the “Right” Answer

One of the worst aspects of formal education is the focus on thecorrect answer to a particular question or problem. While this approach helps us function in society, it hurts creative thinking because real-life issues are ambiguous. There’s often more than one “correct” answer, and the second one you come up with might be better than the first.

Many of the following mental blocks can be turned around to reveal ways to find more than one answer to any given problem. Try reframing the issue in several different ways in order to prompt different answers, and embrace answering inherently ambiguous questions in several different ways.

2. Logical Thinking

Not only is real life ambiguous, it’s often illogical to the point of madness. While critical thinking skills based on logic are one of our main strengths in evaluating the feasibility of a creative idea, it’s often the enemy of truly innovative thoughts in the first place.

One of the best ways to escape the constraints of your own logical mind is to think metaphorically. One of the reasons why metaphors work so well in communications is that we accept them as true without thinking about it. When you realize that “truth” is often symbolic, you’ll often find that you are actually free to come up with alternatives.

3. Following Rules

One way to view creative thinking is to look at it as a destructiveforce. You’re tearing away the often arbitrary rules that others have set for you, and asking either “why” or “why not” whenever confronted with the way “everyone” does things.

This is easier said than done, since people will often defend the rules they follow even in the face of evidence that the rule doesn’t work. People love to celebrate rebels like Richard Branson, but few seem brave enough to emulate him. Quit worshipping rule breakers and start breaking some rules.

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Paint, Sketch or Draw…Blood! was a clash of creative titans

Wright and Williams with hip-hop Muppets Statler and Waldorf (Photo/Jason Phillips)

Shannon Barbour(w)

Whether you’re a serious fine art aficionado or true hip-hop head, Fabian Williams’ brainchild, Paint, Sketch or Draw…Blood!, had something for everyone. D.J. Cha-Cha Jones was on the ones and twos while Fabian “OccasionalSuperstar” Williams and Dwayne “Dubelyoo” Wright served as commentators. Spectators crowded around every inch of the vibrantly colored Stuart McClean Gallery to get the best views of the action.

Artists competed in two brief rounds apiece – first, “Figure Drawing” where they sketched a live model and  “Face Off” where they did their best – or worst looking –drawings of each other, for maximum comedic effect. The crowd picked winners of each battle with applause.

Before any exhibition took place, the talents of the respective artists already made them winners – nearly all of them had works displayed in the gallery for viewing prior to the show.

And if the scenes below sound completely outrageous, they are. You just had to be there.

The Battles:

Joshua Hooper as Juicy J vs. Jason Phillips as Motown Showdown
Juicy J entered as the hilariously eccentric Brit with a straight bobbed wig and fitted t-shirt. He made it rain all over the gallery floor with his own fun brand of counterfeit cash. Motown Showtown hailed from the Motor City with a black suit and wide collar straight out of a 70’s Blaxploitation flick. In the figure drawing round, Juicy J made an otherwise innocuous pose of a sweater wearing model ultra-sexy, while Motown Showdown aimed a little truer to live. The “Face Off” resulted in a double DQ as both artists pulled out amusing caricatures of each other before the time was up.
Crowd favorite: undetermined.

CP the Artist as Apocalypse vs. Justin Huff as J. Steez
J. Steez looked like he stepped out of an 80s time capsule. The straight-outta-Compton styled artist was described by his opponent as a cross “between Eazy-E and Tiger Woods.” Apocalypse appeared fresh from a kill in psycho serial killer getup, complete with a blood-stained shirt, and black face mask with goggles. Their figure model was a curvy blond named Heather who wore a white midriff top and skimpy black bottoms. The battle stopped for a hilarious skit when J. Steez’s “girlfriend” confronted him about cheating on her with Heather. Crowd favorite: Apocalypse.

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Paint Sketch or Draw… Blood

The WWAF (World Wide Arts Federation) Presents:Paint, Sketch or Draw…Blood 2nd Annual Art Battle at the Stuart McClean Art Gallery in Atlanta, GA.

“An Art Battle is a love art competition where artists paint in front of an audience. An Art Battle is a platform allowing emerging artists to break down barriers, connect with art lovers, and change the way the world views art.”-The WWAF

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